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Music in Film Theory Library

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Anempathetic And Empathetic Sound

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And Sound or Rather Music in Film

Part 1 An argument for the need to know your music as a film director. The Theory behind Film Music Music in Film Studies Aaron Copeland Five Ways in Which Music Serves the Screen. Michel Chion and Audio-Vision. An Introduction to Ear-Vision Main Take-aways Part 2 Creating an Atmosphere Part 3 Aaron Copeland's 5 Ways Continued Film is a medium of communication and artistic value and every artist chooses a medium to confront his audience. It obviously follows that an artist must be sensitive and knowledgeable about other art forms, especially if one wants to incorporate these into one's medium of choice. This implies that no film director will be successful if one is not sensitive and knowledgeable about the other artistic forms one incorporates. A good director must therefore be artistic in nature, knowledgeable, sensitive and intuitive to acting, literature, art and music together with the mechanics of film making, like editing, montage, lighting and effects. Indeed, anyone

Music By Director

Quentin Tarantino Stanley Kubrick Jim Jarmusch Roman Polanski Lars Von Trier

A Lesson in Storytelling With Images 1: All Gold Canyon

Other lessons: Lesson 2 , Lesson 3 All Gold Canyon A lesson in introducing and ending a film. All Gold Canyon by Mario Cordina (Anidroc) Slide 1/2: All the 6 vignettes that make up the Coen Brothers' The Ballad of Buster Scruggs come up in the shape of a book with colour plates and text that are featured before and at the end of each story. The nature of colour plates (just as Charles Dickens used his illustrations) is to give part of the story away before it even starts. "And in all that mighty sweep of man he saw no sign of man, nor the handiwork of man." Slide 2/3/4: The first shots of the canyon are indeed shots of wilderness untouched by man. The sun rising up behind the hill or mountain tops, a birds eye view of the plain and stream below. This we will learn is the owl's point of view from the trees. It also obviously implies that someone is watching. We watch fish in the stream and butterflies pollinating the flowers. A stag comes to drink. An ow

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Music in Film Theory Library

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